You can also use Melodyne to eliminate these sounds, or just cut it out altogether using the Command + V function, but a noise gate is a great way to eliminate all of the offending sounds automatically, or at least nearly all of them. I find that having a solid noise-gate plug-in is very useful for vocal tracks because there is often vocal bleed when the sound from the singer’s headphones can be heard in the actual voice recording. For instance, if the noise gate is set at -50dB, that means that anything below that threshold will be muted. It doesn’t have a release, attack, hold, or side-chaining option, whereas the Bob Perry Noise Gate does.Įssentially, the point of a noise gate is to eliminate the sounds below the set threshold. There is essentially one parameter of the default plug-in, and it’s just the Noise Gate Control, which adjusts the level of gating in dB. The regular noise gate that comes with Garageband is quite limited. The Bob Perry Noise Gate, like Melodyne 5, is essentially a far superior version of what Garageband has to offer. While Logic Pro X has a more sophisticated version of the same noise-gate plug-in, which includes a hold, release, and threshold parameter, Garageband doesn’t, and this is where the Bob Perry Noise Gate comes in handy. I explain more in there.īlobs: After printing in the music with the Transfer button, you can adjust the pitch of the notes by dragging the blobs up and down. I don’t want to turn this article into a Melodyne 5 advertisement, so if you want to learn more, please check out my article on the subject. If you’re anything like me, you’d rather have one fantastic plug-in rather than hundreds of others that serve the same purpose but in an inferior way. It has a multitude of uses and functions which eliminate the need for other plug-ins and software. Melodyne 5 is easily the best plug-in that you can get for vocals in Garageband. Put simply, when you change the pitch of an offending sound, it doesn’t sound bad. What makes Melodyne 5 truly special is its ability to change the pitch of vocals and other offending sounds without messing with the natural human quality of the recording. You just have to manually select the offending note and drag it up or down depending on what direction it needs to go. Once the recording has been printed into Melodyne’s interface using the transfer button, it’ll show up in a “blob” format. You can cut the offending part, put it into a new section, and then auto-tune it specifically that way, however, Melodyne has a much better workflow and allows for more specificity. If you know anything about Garageband’s default pitch-correction function, you’ll know it doesn’t allow you to correct very specific sections of the vocal track – I’ve explained this before. For example, Melodyne 5 allows you to spot-correct vocal errors and other issues.įurthermore, you can actually adjust the degree of vibrato within a singer’s voice, as well as the pitch drift, for example, if the singer has slightly gone off pitch for just a moment. However, it comes with a whole host of other features that make it a great software for vocals. This is just one feature of Melodyne that make it incredibly useful software. This can be especially useful for vocals, because if you’ve created a melody with your voice or with an instrument of some kind, you can then transform the recording into a MIDI file, put it into the score editor, and now you have sheet music to give to whoever needs it. I recently learned it’s entirely possible to export the audio as MIDI using Melodyne 5, which can then be turned into a transcription in Garageband using the Score Editor feature (my guide on thi s ). The software is packed with capabilities, many of which I’m still learning as well, although, these days I would recommend Antares Auto-Tune Pro (also from Plugin Boutique) if you were to ask me which one is better strictly for tuning vocals. If you’ve read any of my other articles, you’ll know that I’m a huge fan of Melodyne. Grab Melodyne 5 Editor from Plugin Boutique here.
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